Nordost Heimdall QBase 8 MkIII

Nordost Heimdall QBase 8 MkIII

The quality of our listening protocols led Nordost to offer to let us test a complete Heimdall 2 power cable, a Frey 2 power cable and a Qbase 8 mkIII power strip for several months. As one of our main systems already had exactly these components, along with a Qbase 8 mkII, we took advantage of these tests to review our entire installation and revise the contribution of each of the cables to our system, in addition to comparing the mkII and mkIII strips with each other, with and without the addition of decouplers (AC, BC, TC) and harmonisers (QRT Qv2). Thanks to this update, we have been able to re-identify all the reasons that led us at the time to invest in this treatment of the sector by Nordost.

Nordost heimdall hifi cables close-up

Nordost Norse 2 cable series

Positioned between the Leif entry-level range and the Reference and Supreme Reference ranges, Nordost’s Norse 2 range is already taking listening to a high level of fidelity, without reaching the prices of the Valhalla and Odin products. Comprising three series, the Norse 2 range starts with the Heimdall 2 products and continues with the Frey 2 and Tyr 2. Designed to meet almost every need, these cables are available in RCA and XLR, speaker, coaxial SPDIF, RJ45, USB, 4k UHD or even RCA, XLR or DIN phono turntable arm modulations. But for this issue, we have chosen to draw only the preliminary sap: that of mains cables, with Heimdall 2 cables ranging from 1 to 3 m, plus two Frey 2 cables of 2 and 3 m.
Founded in 1991 with an initial focus on the medical sector, as well as audio, Nordost has used research carried out in conjunction with NASA to maximise the reliability of its cables. Now refocused on high-fidelity, the American company continues to develop numerous processing devices, with a recent shift towards Internet data via Qnet, or increasingly refined development of current harmonisation with the new QRT Qwave, QKoil and QSine. However, it is keeping in its catalogue products that have been benchmarks for over a decade, including the mains cables in its Norse 2 range. With a monofilament construction to create a virtual air dielectric, silver-plated OFC conductors and FEP (Fluorinated Ethylene Propylene) insulation, the Heimdall 2 offers ultra-fast current and voltage transfer with low impedance and strong mechanical control. The more advanced Frey 2 uses conductors with a diameter of 5 x 16 AWG, compared to 3 for Heimdall 2. Its resistance drops from 4 Ω per 1000‘’ to 2 Ω per 1000‘ – the Tyr 2 going even further to 1.33 Ω per 1000’ – for a velocity of propagation of 85%.

Nordost QBase 8 MKIII power strip

The latest addition to the power strip range, the Qbase 8 MkIII replaces the MkII after more than ten years of service. The MkII itself arrived after the first version, incorporating better sockets and offering the option of being switched to 20 A. Now laminated at both ends, where the MkII was still edged with aluminium to frame the main piece in extruded aluminium, the MkIII still exists in the QB4 or QB8 version for the USA and Europe, as well as in QB6 for the United Kingdom. Mechanically, it adds passive resistance to raise the impedance level on the seven sockets around the main one, thus forcing all the earths to centre on the latter, indicated as ‘Primary Earth’. This star-shaped process provides perfect isolation of the components while eliminating any conflicting flow between the signal and earth paths. But Qbase MkIII also innovates with its internal current transport board, as it no longer contains just one, but two well-separated ones, which separate the earth connections from the voltage and neutral lines, resulting in minimised interference and crosstalk. Optimised in width and weight, the tracks are even more effective when using a large amplifier, such as Wavac or CH Precision monoblocs.

Nordost heimdall white hifi powerstrip

The set-up

Already in possession of some of the components, with a Qbase 8 MkII, we first dismantled everything and reconnected all the system devices with the original cables, on a Legrand power strip. Then we gradually added the Nordost cables, first Heimdall 2, then Frey 2, and finally integrated the Qbase 8 MkII strip, which was later interchanged with the MkIII. Using an Accuphase E-600, Mark Levinson 5101 and various power supplies to make the Kuzma turntable and internet data more reliable (Forrester F1 and Ferrum Hypsos), the tests were developed on a smaller system with an Atoll ST300 source and a Luxman SQ-N150 tube amplifier. Once the sound was properly calibrated, two QRT QV2 current harmonisers (€430) and TC (€460), BC (€195) and AC (€110) decouplers were integrated, with the facility on the MkIII version of being able to remove the rubber feet and screw on a pair of QRT Stand Mounts (€150) instead, on which to attach the decouplers.

The sound

This is not the first power strip we have tested, far from it, but it had been a long time since we had dismantled the entire block to reassemble it as we went along… and rediscovered the sensations experienced several years ago, through the integration of superior elements to make the audio system’s power supply more reliable. A few days after receiving the components, during an installation in Brittany in a much purer environment than Paris, a few kilometres from the Rance tidal power station, the fact of having incorporated only the Qbase 8 mkIII into a system already had a direct impact on the concentration of sound elements and the reduction of background noise.

In Paris, where the environment is much more polluted, the integration of Heimdall 2 cables instantly increases the brightness of the sound and the contour of the musical elements, both when connected to an amplifier and to a source, the best being to use several to touch all the elements. Even on the power supply of the Kuzma turntable, as advised by Franck Kuzma himself, the result is real, with a more fluid analogue sound, simply due to the improved precision of the rotation.

With the addition of the Frey 2 on the amplifier, the difference is even more impressive, as if the speakers had changed volume, in addition to having modified their loudspeakers to better colour the timbres. All the components benefit from this, although we are still dealing with an audiophile-type musical transcription, which tends to improve the substances of the sound without making them perfectly realistic.

In order to achieve this result, the bar must be added, and while the Qbase mkIII goes even further than the mkII in reducing noise and thus darkening the soundstage for the benefit of relief and realism, the most obvious difference is when listening with and without the bar. For while our primary system has been on Nordost for more than five years and the new bar, which is simpler to isolate thanks to the Stand Mount, goes even further than the previous version, it is clearly on our second system, previously on an Oelbach audiophile power strip, that the lightening and ventilation gained by the introduction of a Qbase explode to the ear, and finally do justice to all the tracks played by eliminating all the disturbing resonance effects.

Nordost heimdall grey hifi powerstrip

Our conclusion

Already evident in a healthy environment, adding mains cables and reproducing the protocol in a polluted environment such as Paris, by adding a power strip upstream of a system, demonstrates the importance of making the current processing of a hi-fi system more reliable, an undeniable know-how of the American brand in this field. And if the problem always arises of knowing when you should invest in a cable costing around €1,000 to power a hi-fi product, the answer with a power strip and an upstream cable is more obvious, because the improvement instantly affects all the elements of the system, rather than one product in particular. This is a real investment (Qbase mkIII at €2,600 + 2 x Heimdall 2 at a minimum of €840) that cannot reasonably be made for a system costing less than €5,000, but in view of the gain in clarity and reduction in noise, even on a small Luxman tube amplifier or Sugden headphone amp, we highly recommend it because of the significant contribution it makes to the music!

Author: Vincent Guillemin

Technical sheet: Nordost Heimdall QBase 8 MkIII

Nordost Qbase 8 mkIII

  • Origin: United States
  • Price: €2,600
  • Specific features:
    • 8 Schuko sockets
    • Separation to earth

Nordost Heimdall 2

  • Origin: United States
  • Price: from €840 (1 metre; €275 per additional metre)

Nordost Frey 2

  • Origin: United States
  • Price: from €2,245 (1 m; €420 per additional metre)
Fyne Audio upgrades its F500 series to F500S

Fyne Audio upgrades its F500 series to F500S

Shortly after reworking its F500 entry-level series, to offer a more attractively priced F500E home cinema version on some models, Scottish manufacturer Fyne Audio is now updating its F500 series to the F500S.

Still featuring the coaxial IsoFlare drivers for which the brand is renowned, the F500S also retains its BassTrax Tractrix bass dispersion system, but with an optimized cabinet and port to reduce resonance and vibration. The crossovers are also upgraded with some of the technologies derived from developments in the F700 series.

Superior to the F500E models, the new F500S are also designed for users who want to use these speakers for hi-fi and home-cinema listening. In addition to the compact F500S version (950 € per pair, no price variation with the F500) and two two-and-a-half-way floorstanding speakers F501S (2 000 € per pair) and F502S (2 800 € per pair), a central or side-mounted F500S LCR model (600 € per unit) will be available like the others from now. They will then be joined by a small compact F5S (700 € per pair).

All that’s left is to listen!

04/17/2025

Nagaoka outclasses its MP-500 with the MP-700

Nagaoka outclasses its MP-500 with the MP-700

Already a reference in the moving-magnet (MM) cell category, Nagaoka has set its sights even higher with the MP-700.

At Vumètre, many of us own the MP-120 and the MP-150, the holy grail for any rock fan who likes to keep a taut sound in analog listening. And to test the MM part of the high-end preamplifiers, we also own an MP-500, set against all the cells in its range (at 999 €, so mostly MCs).

With the MP-700, Nagaoka goes even further than the MP-500 by increasing the use of permalloy circuits, a technology derived from Moving Magnet (MM), which here becomes Moving Permalloy (hence the term “MP”), with a moving part of this material attached directly to the cantilever. The cantilever itself has been redesigned for this new cell, in Boron and combined with a 0.12 x 0.3 mm MicroRidge diamond. A flexible shock absorber on which the cantilever rests enhances vibration control, combined with a suspension wire to maintain precision control.

Housed in a highly rigid Duralumin body with three layers of nickel plating, tin plating and insulating coating, the MP-700 is even less subject to heat variations and external interference than other models in the range. Obviously handcrafted in Japan, this top-of-the-range MM cell is launched this month in Europe at a price of 1 299 €, or directly mounted on a cell holder (MP-700H) at 1 399 €. We cannot wait to listen!

04/16/2025

After the d1-streamer, Totaldac adds a d1-CD player

After the d1-streamer, Totaldac adds a d1-CD player

Vincent Brient may be headquartered a few kilometers from Mont-Saint-Michel, but he is clearly not a tourist, given the number of projects and changes Totaldac undergoes every year !

After reworking his DACs to improve performance with the d1-unity range (Tested in VU#56 FR ; Remarkable), the Supélec engineer launched a new range of network transports earlier this year with the d1-streamer-live and sublime, and is now back to CD playback with a d1-CD transport.

Compared throughout its development to a tape player in order to reproduce the analog sound as closely as possible, the new CD transport uses Totaldac’s well-known frame, in which a massive copper plate is decoupled by three anti-vibration feet below, and internally by four springs to another carbon plate, on which an Austrian PRO-CD8 playback mechanism sits. Integrated from the top, the CD, blocked by a pallet press, can then be left in the open air, or covered by a hood, which obviously limits dust as well as reinforcing the silence of rotation.

Limited to 44.1 kHz in 16 bits, i.e. the sampling rate of a CD, this transport cannot read SACDs, but it gives the signal reliability to the 40th of a femtosecond thanks to its high-precision clock. To connect it to the DAC, coaxial (BNC adaptable) and AES/EBU digital inputs are available, while the Totaldac live-power ultra-low-noise power supply is added as standard, upgradeable with other, even more powerful, from the brand.

This new high-performance Breton player can be tried out directly by contacting the manufacturer on its website, and is priced at 7 500 €.

15/04/2025

Active ATC SCM20ASL enter the Classic Series

Active ATC SCM20ASL enter the Classic Series

Launched in mid-2024 in a classy blue lacquered version to mark the British brand’s 50th anniversary, the SCM20ASL return in 2025 as part of ATC’s Classic Series.

Derived from the professional range model, the SCM20ASL are back in service in the hi-fi range, having been presented (and tested in our French VU#54) in a limited edition of 150 units a year earlier. They now reappear in a more classic wood cabinet, with finishes already familiar from other ATC Classic Series active loudspeakers from the SCM50ASL upwards.

Compared with the limited edition, the front panel loses its leather covering, which seemed to have a slight impact on wave diffusion, and the rear panel reverts to black rather than silver aluminium. As for the rest, the excellent 6“ mid-bass driver and 1” tweeter of the passive version remain, with frequency sensitivity adjustable via a rear knob. In the cabinet, these active units use the two Class A/B amplifiers of 200W (for mid/bass) and 50W (for treble), already tried and tested on the excellent pro version.

As a reminder, “active” is a different term from “wireless”, which always implies “connected”, i.e. with an internal streamer. An active speaker only has built-in amplification, so for it to work, it still needs to be connected to a source, and in this case, the SCM20ASL have a balanced analog XLR terminal on the rear panel.

Last year, the small number of limited-edition units available meant that we had to wait impatiently for this classic version, which we hope to listen to very soon to verify its sound quality. Prices have so far only been announced for the UK, at £6 495 per pair for a standard version, £7 295 for the premium versions and £7v845 for the black or white Piano editions, i.e. from £1 000 more than the pro version, but £4 000 less than the anniversary edition!

04/12/2025