The frontman of The National, Matt Berninger has released his second solo album, Get Sunk, in which he continues to showcase his inspired pop style with class, this time tackling more intimate themes.



The frontman of The National, Matt Berninger has released his second solo album, Get Sunk, in which he continues to showcase his inspired pop style with class, this time tackling more intimate themes.

Stephan Eicher’s first live album, Non Ci Badar, Guarda E Passa…, is an atypical and high-quality achievement that is too rare not to be highlighted.

After performing together on stage for a series of concerts, singer Dee Dee Bridgewater and pianist Bill Charlap recorded Elemental, an album where their jazz is by turns subtle and playful.

A renowned producer and rapper on the New York hip-hop scene since the late 1990s, Aesop Rock presents Black Hole Superette, in which he depicts everyday anecdotes as hallucinatory reveries.

Keeping a low profile in the media, the three musicians of The Sick Man Of Europe deliver a self-titled debut album full of tension and austerity reminiscent of the most radical New Wave.

The masked queen of Rap Dancehall Leikeli47 reveals her face for her fourth album Lei Keli ft. 47 / For Promotional Use Only, which alternates between effective ballads and catchy tracks.

Grindcore champions Wormrot hail from Singapore with TNT (Live), a reworking of part of their repertoire with even more rage and madness, proving that it was still possible!

The prolific King Gizzard & The Lizard Wizard complete their mind-boggling discography with the album Phantom Island, a mix of symphonic elements integrated into their psychedelic-tinged pop-rock.

Known for his sharp lyrics and warm country-folk sound, James McMurtry returns after several years away and some personal trials. The Black Dog And The Wandering Boy is a very good vintage.