A leading figure on the American indie scene since 2010, Alex G’s album Headlights boasts a higher production quality, giving his lo-fi folk a new dimension.
ALEX G – HEADLIGHTS
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MUSIC
MAJID BEKKAS, NGUYÊN LÊ, HAMID DRAKE – JAZZ AT BERLIN PHILHARMONIC XVII : GNAWA WORLD BLUES
Testifying to the alchemy between musicians Majid Bekkas, Nguyên Lê, and Hamid Drake, the seventeenth volume of Jazz At Berlin Philharmonic takes us on a leisurely journey from the sounds of Africa to North America.
FLAVIEN BERGER – PLOUF!
Ten years after his album Léviathan, Flavien Berger called on the musicians of the band La Brume to rewrite his compositions and create plouf !, a pop album imbued with aquatic psychedelia.
DRIFT – AT THE PARTY
Behind the pseudonym Drift lies Renaud Letang, a highly sought-after sound engineer and producer. His first album of pop music, At The Party, has the perfect tempo to accompany a quiet aperitif.
SWANS – BIRTHING
With rigor, the band Swans releases albums that remain difficult to access but never disappoint fans of their dark rock, somewhere between gothic and industrial. Such is once again the case with Birthing.
PULP – MORE
Twenty-four years after their split, Pulp treats us to More, a new studio album that is as unexpected as it is full of their legendary British pop, rich in orchestration and sensuality.
DOMINIQUE FILS-AIMÉ – LIVE AT THE MONTREAL INTERNATIONAL JAZZ FESTIVAL
Dominique Fils-Aimé continues to pay tribute to African-American music, from Gospel to Soul and Funk, now on a Live at the Montreal International Jazz Festival.
MCKINLEY DIXON – MAGIC, ALIVE!
McKinley Dixon continues the movement of his two previous albums, taking it a step further. Magic, Alive! is an album that blends rap and jazz with dense and refined orchestrations.
YOUNG FATHERS – 28 YEARS LATER
The music of the eclectic group Young Fathers fits perfectly with the disturbing atmosphere of the film 28 Years Later, whose independently released soundtrack mixes pop moments with beautiful electro passages.