With her second album, You Heartbreaker, You, Jehnny Beth proves that you can come from France and compete with the best hard rock and metal bands on the international scene.



With her second album, You Heartbreaker, You, Jehnny Beth proves that you can come from France and compete with the best hard rock and metal bands on the international scene.

Making a comeback after success can be paralyzing, but in four years Feu! Chatterton has matured and, with Labyrinthe, retains the poetry of its French chanson while adding a touch of electronica.

Devo, the troublemakers of American pop and rock, have littered their career with songs that make you want to sing along. Q: Are We Not Men? A: We Are Devo / Devo Live contains a good portion of them…

David Helbock and Julia Hofer both like to distance their respective instruments from the academicism of their classical training. With Faces Of Night, they blend jazz, avant-garde and pop lightness.

CMAT offers us a sound that is more pop than country on her album Euro-Country, but her lyrics have lost none of their irony in denouncing capitalism and male domination.

Giving as much space to the staging as to the music in her shows, Claire Diterzi delicately blends French chanson, electronic music and Eastern traditions on her latest album, Fille De.

Eagerly awaited by fans of folk and independent music, Big Thief returns with Double Infinity, an album that is both personally inspired and superbly produced.

A subversive artist who has been censored many times, Alain Kan is better known in artistic circles than among the general public. Heureusement En France, On Ne Se Drogue Pas is one of his cult albums.

A composer who has been virtually indispensable in cinema since the 1980s, Danny Elfman has written the soundtrack for the new film Dracula. Once again, he masterfully illustrates fantastical and phantasmagorical atmospheres.